Fashion Profiles Archives

      February 6, 2002, #6

        ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

      As the big-name design houses take to the runways over
      the next few weeks to show their Fall 2002 collections, try
      to look past the glamour to see all the hard work that goes
      into delivering the designs. From first concept to runway
      preview takes about 8 weeks. Could you deliver the goods
      on that kind of time-table? It's something to consider...

        ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

      In This Issue:

      Fashion Biz: How To Learn More About Fabrics And Pattern Making

      Fashion Trivia: The First Hollywood Costume Designer

      Fashion Profile: Blue Fish Clothing Company

        ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

      FASHION BIZ

      How To Learn More About Fabrics And Pattern Making

      Question: "How can I learn more about fabrics and pattern-
      making?"-Mary Ann

      If you attended a fashion design school, you'd take classes on
      fabric and pattern-making to learn the details of putting together
      a garment from start to finish. If you don't attend a fashion design
      school, you either need to learn these things on your own, or pay
      someone to do them for you if you intend to sell your designs.

      For this discussion, I'll assume you're interested in learning how to
      do these things yourself. Here's how to get started:

      Fabrics

      To start learning about fabrics, head to your own closet. Pull out
      your favorite pieces and think about why it is that you like them.
      Do you like the way they drape on your body? How they hold you
      together so that nothing jiggles? Keep you warm? Clean easily?
      Require no ironing? What?

      Then take a look at the labels. What are they made of? Are they
      100% of a certain fiber, or are they a fiber-blend? Do they require
      special care, like ironing, hand washing, or dry cleaning? Make notes
      of what you like and dislike about each fabric. It will help you to
      think about fabrics for your own designs.

      Next, look at the evening or special occasion apparel you have on
      hand. What kinds of fabrics are those made of? What do you like
      or don't like about those fabrics? Again, make notes. You'll refer
      to it later.

      If you're thinking about designing lingerie or accessories (scarves,
      handbags, or shoes), take a look at those items from your wardrobe.
      What are they made of? How do they wear? Again, make some notes.

      Now that you have a general idea of fabric characteristics, it's time
      to learn more about the subject. The best free resource I've seen is
      "Fabric University" at FabricLink.com,

      http://www.fabriclink.com/University.html .

      You'll find tons of information about fabric history, care, and cleaning,
      so print out the pages for future reference. Want another good
      resource for fabric care? Try Fabric.net,

      http://store.yahoo.com/phoenixtextiles/fabriccare.html

      Once you've learned a little about fabric, head to the mall for some
      more research. If you've never given fabric serious thought before,
      I guarantee that you'll start seeing clothes in a whole new light.
      Make notes of what types of clothes are generally made from which
      fabrics, like shirts, pants, dresses, coats, etc. You'll begin to see
      some interesting commonalities among usage, price range, care, etc.

      Now don't put yourself into a box creatively with this exercise,
      thinking chiffon can only be used for mother-of-the-bride apparel,
      for example. Instead, use it to see what's already selling and why.
      Since the fastest path to success is to follow something that's
      already working, you'll be able to leap from the fashion starting gate
      faster with this knowledge in the back of your mind.

      Finally, head to the fabric store for a little one-on-one time with
      some fabric. See what's available, think about your designs, and
      envision which fabrics would work best. If you have a design and
      pattern available, make up the design in different fabrics to see
      which one works best.

      Since this is the medium in which you're going to bring your designs
      to life, take the time to learn it well. The more you know about it,
      the easier your job will become.

      Pattern-Making

      If you don't sew or have never altered a pattern, making patterns
      can be a little tricky at first. But don't let that stop you. You have
      to have a blueprint in order to accurately reproduce your designs,
      and a pattern is the way it's done. Fortunately, you don't have to
      re-invent the wheel.

      The two most common ways to create a pattern is on paper and
      by computer.

      Traditional pattern making is done on paper and is called a "flat
      pattern" design. Typically, an existing pattern is used as the basis
      for the new pattern. This could be a basic shirt, skirt, or pant
      pattern, for example. The pattern maker creates the new design
      by adding design details like pockets, lapels, buttons, etc., to
      match the design sketch.

      The new pattern is often made of a heavy-weight paper called
      "tagboard," which is similar in weight and handling to a file folder.
      It can be easily cut and traced around to create other patterns.
      The intended fabric is an important consideration at this point,
      since you'll need to know how much to add for stretch, gathers,
      and other fabric characteristics.

      Computer pattern making is a fast and easy way to get the job
      done. Like paper patterns, computer-generated patterns often
      rely on a basic pattern as the basis of the new pattern, allowing
      the pattern maker to embellish the template with the new design
      details. Many large companies rely on pattern design systems (PDS)
      to accurately size and scale designs, but the equipment is expensive
      and out of reach for many starting designers.

      So, there you have it. In order to create and sell your designs,
      you need to know them intimately-including what fabric they're
      made of and how they're constructed. To discover what else
      goes into successfully selling your designs, pick up a copy of
      How To Get Started In Fashion Design at:

      http://www.FashionJobReview.com

      Good luck!

          **************

      Have a question you'd like answered in "Fashion Biz?" Send it to [email protected] .

          **************

      FASHION TRIVIA

      QUESTION: When was the first costume designed specifically
      for a motion picture?

      ANSWER: 1916. When working on a movie with serial queen
      Pearl White, Parisian-born director Louis J. Gasnier decided on
      a particular "look" for her character. To bring the image to life,
      he summoned a tailor to assemble an outfit consisting of a black
      suit, white blouse, loose tie, and velour beret. Secretaries of
      the day fell in love with the look, catapulting the movie to
      record box office sales. That was all movie executives needed
      to know to start budgeting for costume designers on every project.

      So what did actors do before then? They wore their own clothes,
      if the movie was contemporary, or the director rented outfits from
      costume companies, if the film was historical or science fiction.

        **************

      FASHION PROFILE: Blue Fish Clothing Company

      As an artist wishing to express herself, 17-year-old Jennifer Barclay
      started hand-printing designs onto T-shirts in her parents' garage.
      Thinking to turn a profit, she took them to a local fair and sold out
      almost immediately, pocketing $450 in the process. That was 1985.

      Her artistry won followers from day one. Soon she was making
      dresses and shirts printed with her whimsical designs, and selling
      them at craft shows and jazz festivals in and around her hometown
      in New Jersey. In 1986, she attended her first trade show in New
      York and took orders for 6,000 pieces.

      Back home, reality sunk in. She had 4 months to deliver the order.
      She hired her friends, slept in the workshop, and worked round the
      clock. But she delivered the order on time, and in doing so, founded
      herself an empire.

      Blue Fish Clothing continued to grow and thrive during the 1990s,
      adding retail stores, celebrity clients, and publicly traded stock.
      The most ardent fans collected between 35 and 50 pieces and
      Blue Fish Clothing took on a cult-like status. With sales of nearly
      $14 million in 1997, the company decided to relocate to
      Pennsylvania in 1999. But somewhere along the line, financing
      fell through, and Jennifer, tired of running the operation, closed
      shop in 2001.

      Today Blue Fish Clothing is actively sold in the second hand market,
      and Jennifer continues to design, albeit on a much smaller scale.

      You can learn more about the rise and fall of Blue Fish Clothing at:

      http://www.geocities.com/bluefishtales/index1.html

          **************

      Until Next Time,

      Diana Pemberton-Sikes
      http://www.FashionJobReview.com
      [email protected]

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Copyright © 2001 Diana Pemberton-Sikes
Donegal Direct LLC • 1502 Loving Road • Gordonsville, VA 22942
[email protected]

 

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