Fashion Profiles Archives

      January 23, 2002, #4

        ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

      One of the neat things about doing a weekly ezine
      is the ability to quickly adapt and change the newsletter
      to meet the readers' needs.

      As we move into the fourth week of publishing "Fashion
      Profiles", it's become apparent that a little modification is
      necessary. So, beginning this week, I'm adding a section
      called "Fashion Biz" to address the many questions I
      receive about working in the fashion field. If you'd like
      to have a specific question answered, you can email it to
      me at [email protected] . Hope you like the new
      addition. Enjoy!

      Diana

        ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

      FASHION BIZ

      The ABC's Of Marketing Your Designs

      Over the last few weeks, I've received several emails from
      aspiring designers anxious to start their fashion careers.
      Many are in their teens, while others are middle-aged,
      thinking about a new direction for their lives. That's great!

      While I certainly enjoy the enthusiasm, I'm distressed to see
      so many misconceptions about the field, many of which I
      address in How To Get Started In Fashion Design,

      http://www.fashionjobreview.com

      From all the questions populating my inbox, here are the
      biggest three issues I've seen:

      1. Underestimating What You Need To Know

      "I have tons of drawings that my friends and family rave about.
      Where can I send them to see if they will sell?"

      H-o-o-o-ld on there! Illustrating your ideas is just the first
      step in designing clothes. What fabrics and trimmings will you
      use? Have you made the pattern? What are the construction
      details? Could a seamstress with basic skills reproduce the
      garment from your instructions? How much does it cost to
      produce each garment?

      If you don't know the answers to these questions, you're not
      ready to approach anyone with your drawings.

      2. Being Too Trusting With Your Designs

      "Can I send you copies of my drawings? I'd like to know your
      opinion."

      While copying others' designs has been a part of the industry
      since its inception, don't make it easier for someone than it is.
      While you can't copyright the cut of a garment, original textile
      prints, patterns, and graphics designs (even when incorporated
      into a garment) CAN be copyrighted by registering the work with
      the U.S. Copyright Office of the Library of Congress (check with
      the appropriate agency in your country if you don't live in the
      United States).

      So don't be so free and easy with your designs. Use them in
      your portfolio or to show prospective clients, but supervise who
      and for how long someone sees your materials until they buy them.
      Don't release them to some unknown entity and just expect them
      to do right by you, because they probably won't. Protect your
      intellectual property and get fair market value for all of your work.

      3. Not Being Professional

      "I wont 2 dezine but my paronts laff at me."

      Honey, they aren't the only ones laughing. Did you cut English
      class, or did you just turn off the spell checker because it kept
      highlighting every other word?

      If you want to be taken seriously in this field or any other, you
      need to show some professionalism--which in this case means
      communicating effectively. If I were a prospective buyer, client,
      or employer, and you sent me something with this many spelling
      and grammatical errors, I'd chuckle and promptly throw it in the
      trash. You don't have to be Hemmingway, but a basic
      understanding of the written word IS required.

      In this business in particular, first impressions DO count-even if
      it's only written correspondence. Remember that.

      All in all, the biggest issues I keep encountering come from
      people "jumping the gun" to get started. While there's certainly
      nothing wrong with being excited about your future in fashion,
      you need to slow down a little and properly prepare for what's
      to come.

      You aren't ready to perform surgery a week after you get to
      medical school, you don't get to Carnegie Hall after three piano
      lessons, and you don't make it into the big leagues of fashion
      without learning what it takes to design and manufacture clothes.
      Slow down a little and learn your craft. You'll substantially
      increase your chances for success.

      Want a jumpstart? Pick up a copy of How To Get Started In
      Fashion Design,

      http://www.fashionjobreview.com

      Good luck!

      Diana

 **************

      FASHION TRIVIA

      QUESTION: Who were the fashion police?

      ANSWER: While the term is used tongue-in-cheek today to
      describe someone who critiques the way others dress, there
      were actual law enforcers who once policed what people wore.

      In the late Middle Ages, sumptuary laws (laws restricting or
      regulating extravagance in dress on religious or moral grounds)
      were passed to attempt to limit access to certain fabrics and
      styles of clothes. While the nobility and high-ranking religious
      personnel were allowed to wear them, everyone else was not.
      When social climbers dared to wear clothing higher than their
      class, the fashion police were established to patrol the streets,
      and fine or imprison dress code violators.

 **************

      ANNA SUI

      Anna Sui always enjoyed designing clothes, starting first with
      her dolls and the neighbor's toy soldiers, and eventually moving
      to herself. Her parents were always supportive of her efforts,
      and after graduating from high school, they sent her to Parson's
      School of Design in New York.

      She attended Parson's for two years, where she met and befriended
      Steven Meisel, today one of fashion's top photographers. She worked
      as a stylist on several of Meisel's early shoots, including the Italian
      magazine LEI. Anna eventually left Steven and Parson's to design
      for several junior sportswear companies.

      In 1980, working on the side, she presented six original designs at
      the Boutique Show in New York. Macy's placed an order, and
      eventually used one of her designs in a prominent New York Times
      advertisement. Her employer was incensed by her moonlighting and
      gave her an ultimatum: either quit your sideline design business, or
      lose your job. Anna opted for her own business, and started Anna
      Sui designs out of her apartment shortly thereafter.

      She remained home-based throughout the 1980's. In 1991, she
      showed her first runway collection, and moved her business to
      the garment district later that same year. Her head-to-toe looks
      include the popular pirate looks of the early 1990's, the "grunge
      baby doll" dress, handkerchief dresses, and other eclectic looks.

      She won the prestigious CFDA Perry Ellis Award For New Fashion
      in 1993, and hasn't looked back since.

      Anna, who always dresses head-to-toe in black, continued to
      expand her offerings through the 1990's. Besides opening several
      boutiques in Asia, she's also added shoes, fragrance, and beauty
      items to her lines.

      Her wit and original looks have drawn thousands of devotees,
      including celebrities like Patricia Arquette, Christina Ricci, Cher,
      Naomi Campbell, Sofia Coppola, Courtney Love and James Iha of
      Smashing Pumpkins.

      You can visit her online at:

      http://www.annasui.com and

      http://www.annasuibeauty.com

**************

      Until Next Time,

      Diana Pemberton-Sikes
      http://www.FashionJobReview.com
      http://www.FashionForRealWomen.com
      http://www.WardrobeMagic.com

      -----------------------------------------------------------

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Copyright © 2001 Diana Pemberton-Sikes
Donegal Direct LLC • 1502 Loving Road • Gordonsville, VA 22942
[email protected]

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